01.03.2011 – WIESBADEN

(mel). The newly founded “Arbeitskreis Kunst und Evangelische Kirche” (AKUK), an initiative initiated by the St. Thomas Church congregation, Pastor Klaus Neumann and Felicitas Reusch, is now presenting a first project: the exhibition “Fasten Your Seatbelt”, which opens on Ash Wednesday, 9 March, in the Bergkirche.

The project developed from Gabrielle Hattesen’s “Herbergs-Suche”: The Wiesbaden artist had already exhibited her object at the BBK exhibition “Zeitgleich” (we reported) in the Bergkirche. The local pastor Peters is now also a member of the “Arbeitskreis Kunst”, as well as Jeffrey Myers, pastor for church work, and the artists Gabrielle Hattesen and Rainer Zamoire. Her working hypothesis is:”How can visual artists bring the Protestant message to the Church of the Word?”

On Ash Wednesday, the first exhibition will be opened at 7 pm. On display are works of art by Bettina Bätz, Bernhard & Meyer, Margot Garutti, Michael Göbel, Gabrielle Hattesen, Frank N. Hoffmann, Ingrid Hornef, Johannes Kriesche, Garbiele von Lutzau, Wladimir Olenburg, Usch Quednau, Katja Theinkorn and Rainzer Zomoire.

The theme of her joint work of art in the nave in front of the apse is a special “thirteen-course menu”. The exhibition can be seen in the Bergkirche until March 20.

Der Beitrag wiesbadener Kurier erschien zuerst auf Gabriele von Lutzau.

I got to know TOLLE Menschen and with the mediation in the representation of Baden Würtemberg our ambassador has made a brilliant move.
The National Representation is said to be one of the most beautiful in Brussels!!

THANK YOU for the wonderful ambience, the chance and the hospitable welcome, dear Prof. Dr. Bed trains!!!

http://www.belgieninfo.net/artikel/view/datum/2009/09/23/frauen-formen-figuren-belgisch-deutsch.html

Der Beitrag Exhibition in Brussels erschien zuerst auf Gabriele von Lutzau.

My impression was that rarely was such a warm and intelligent speech given at one of my vernissages.

Gerda Hasselfeldt is a great woman, who lives up to our female gender!

www.hasselfeldt.de

Der Beitrag Gerda Hasselfeld – Vice President of the Bundestag erschien zuerst auf Gabriele von Lutzau.

Der Beitrag WAZ city magazin Wolfsburg erschien zuerst auf Gabriele von Lutzau.

Eschborn (ots) – Eurohypo is a sponsor of the joint exhibition “With Art Survival and Survival” by jewellery designer Rachel Gera and sculptor Gabriele von Lutzau. The exhibition will be on view in Berlin from 27 June to 31 July of this year.

The works on display in the Commerzbank House at Pariser Platz – silver and gemstone jewellery as well as bronze sculptures – are as diverse as the artist’s CVs. Rachel Gera was captured by the Nazi terror during a visit to Poland in 1939. On her escape, she began to paint in order to counter the hopelessness. Rachel Gera, who is one of Israel’s most famous designers today, sees this moment as the beginning of her artistic career.

Gabriele von Lutzau, as a stewardess in 1977 to Mogadishu, took Lufthansa aircraft “Landshut” with courage and courage to kidnap their responsibility for the passengers about their own fear. After this traumatic experience, she devoted herself exclusively to art. As a sculptor, she creates bronze guardian figures, wings and other motifs that symbolise freedom and lightness.

What Rachel Gera and Gabriele von Lutzau have in common is that they have used their talent – combined with the experience of tragic experiences – to put their talents to good use and to confront the suffering that they have experienced in an encouraging way with their art. “The works of art are symbols of the triumph of life’s triumph over fear, danger and inhumanity,”said Dr. Frank Pörschke, the designated member of the Board of Managing Directors of Eurohypo, on the occasion of today’s opening. “I am particularly pleased that we can support this exhibition.”

Eurohypo is a leading international specialist bank for real estate and public finance. In addition to her commercial success, she sees herself as a corporate citizen and also as being responsible for the society in which she operates as a company. In line with this self-image, the Bank supports innovative cultural projects around the globe, among other things.

Press contact:

Eurohypo AG, Helfmann Park 5,65760 Eschborn
Gisela Brandhoff, Tel.: 069 2548 21316 gisela.brandhoff@eurohypo.com
Andreas Funke, Tel.: 069 2548 21315 andreas.funke@eurohypo.com

Der Beitrag News News – Press portal erschien zuerst auf Gabriele von Lutzau.

Eschborn (ots) – Eurohypo is a sponsor of the joint exhibition “With Art Survival and Survival” by jewellery designer Rachel Gera and sculptor Gabriele von Lutzau. The exhibition will be on view in Berlin from 27 June to 31 July of this year.

The works on display in the Commerzbank House at Pariser Platz – silver and gemstone jewellery as well as bronze sculptures – are as diverse as the artist’s CVs. Rachel Gera was captured by the Nazi terror during a visit to Poland in 1939. On her escape, she began to paint in order to counter the hopelessness. Rachel Gera, who is one of Israel’s most famous designers today, sees this moment as the beginning of her artistic career.

Gabriele von Lutzau, as a stewardess in 1977 to Mogadishu, took Lufthansa aircraft “Landshut” with courage and courage to kidnap their responsibility for the passengers about their own fear. After this traumatic experience, she devoted herself exclusively to art. As a sculptor, she creates bronze guardian figures, wings and other motifs that symbolise freedom and lightness.

What Rachel Gera and Gabriele von Lutzau have in common is that they have used their talent – combined with the experience of tragic experiences – to put their talents to good use and to confront the suffering that they have experienced in an encouraging way with their art. “The works of art are symbols of the triumph of life’s triumph over fear, danger and inhumanity,”said Dr. Frank Pörschke, the designated member of the Board of Managing Directors of Eurohypo, on the occasion of today’s opening. “I am particularly pleased that we can support this exhibition.”

Eurohypo is a leading international specialist bank for real estate and public finance. In addition to her commercial success, she sees herself as a corporate citizen and also as being responsible for the society in which she operates as a company. In line with this self-image, the Bank supports innovative cultural projects around the globe, among other things.

Press contact:

Eurohypo AG, Helfmann Park 5,65760 Eschborn
Gisela Brandhoff, Tel.: 069 2548 21316 gisela.brandhoff@eurohypo.com
Andreas Funke, Tel.: 069 2548 21315 andreas.funke@eurohypo.com

Der Beitrag News News – Press portal erschien zuerst auf Gabriele von Lutzau.

From Knut Teske

Their fates produced headlines that went around the world. One survived the Holocaust, the other the kidnapping of the “Landshut”. Now the artists Rachel Gera and Gabriele von Lutzau are exhibiting in Berlin.

Photo: M. LengemannKunst, which was created from a shock: Rachel Gera (l) and Gabriele von Lutzau with one of their exhibits

It’s a meeting of two ladies whose fates have produced world headlines. Both were playthings of dark powers. Both of them, blonde and related in nature, became artists who survived, albeit at different times in completely different places in the world, and who made their own art out of this art to survive. Berlin will now be able to see these exhibits.

One, Rachel Gera, is not only a sought-after designer of unique jewellery in Israel. The other, Gabriele von Lutzau, creates metre-high sculptures made of wood cast in bronze. The artists are united in their fight against the ugly, dirty, against dictatorship and oppression. Both never wanted to give themselves up, not to be dictated by “criminals and idiots”. They sought and desired successfully with their art – Gabriele von Lutzau belligerent, Rachel Gera with luxury, beauty and aesthetics.

The beginning of the career was shock.

The German Gabriele von Lutzau presents her large yet filigree figures, which always have something to do with air, lightness and bird’s flight, i. e. they are always on the move and keep an eye on everything, from Frankfurt via New York to Shanghai. And now in Berlin, in the Commerzbank on Pariser Platz. The Israeli Rachel Gera is one of her customers. The late US actor and singer Danny Kaye and Sir Peter Ustinov also bought from her.

Both had something to do with the shock they had to go through and deal with at the beginning of their careers. Rachel’s shock, if you will look at it, lasted five years, Gabrieles five days. One of them began with art in 1939 at the age of a child, the other in 1977 at the age of 23. One was a victim of racial madness as a Jewess, the other as a stewardess, a victim of the kidnapping of the “Landshut” to Mogadishu. They survived, shaped for life. Both stories reflect the brutality of the 20th century.

Rachel’s pencils actually fell to his feet once upon a time

Rachel began painting at the age of three or four when she found forgotten crayons from an ancient wardrobe somewhere deep in the East of Europe – far away from home, from friends and all forms of security. Born in 1936, apparently in Tel Aviv’s security, Rachel and her mother got into the mills of National Socialism on September 1st when relatives visited Poland. They fled, persecuted by the Nazis and as Jews also disliked by the Poles, for months through the country. Wherever the mother was arrested, locked up and exploited in labour camps, the three-year-old daughter was there, had to help. On the run there were about 300,000 Jews who knew only one thing at that time: never fall into the clutches of the Nazis. Always fleeing to the east, they came to Lviv, today’s Lviv, in the Ukraine.

There, the crayons fell out of a worm-like cabinet and fell into her fingers. Rachel Gera remembers her first “painting”, showing a man with a mask, symbolizing the dark, which she tries to push into the background through artistic freedom and beauty.

Lviv remained a place of relative security, even though it was still further away from the father, the sun of Israel and her Palestinian homeland, despite the sad living conditions. But in the meantime, however, the Hitler-Stalin Pact, which saw Poland as the German-Russian prey, won through in Russia, with the consequence that Poles were also persecuted in Stalin’s empire, Jews anyway. To this day, Rachel is not clear what she and her mother were before the foundation of Israel: Poles, stateless people or Palestinians. But whatever – nothing would have guaranteed justice and security. “The years back then have cost me my youth,”says Rachel Gera today.

Life consisted of labour camps and barbed wire

At some point on this flight they reached Central Russia and eventually left it again. The brain of a six-year-old doesn’t work according to facts, but according to impressions. For them, who in the meantime spoke Russian and Polish, the giant empire consisted only of grey labour camps, oppressive narrowness, barbed wire, hunger, stench, rachitic figures, foot marches, borscht and beetroot, but also of the primal instinct for survival. And then the turnaround on June 22,1941: Hitler’s invasion of Russia was over with the German-Soviet Entente. Suddenly Poland became a Soviet ally, that is, the exile Poles. Poland itself was occupied. A Polish general founded an exile army on Soviet soil – a desolate pile of emaciated figures that held only one thing together: their national pride. But when the bush radio spread that this troop went to Persia for recreation, bringing their families and Polish orphans with them, Rachel and her mother also wanted to leave.

The mother remained behind for lack of a Polish husband; she spent her daughter as an orphan because Jewish children were not allowed to join in and practically threw her onto the train at the last moment. She herself came four months later. With her last piece of jewellery she had bribed a single Pole. In this dramatic and illegal way, 862 Jewish children survived in Persia, from where they – now with the support of the Jewish Agency – finally reentered their homeland via Karachi on long detours years later. They all went down in history as the “Tehran children” for the foundation of Israel. Rachel Gera’s story will be broadcast on ZDF on November 9th in “The Children’s Odyssey”.

Gabriele was the only calm and quiet person during a five-day horror

The career of the other artist, Gabriele, started after a catastrophe as unimaginable as Rachel survived. As the daughter of an architect who kept the family afloat with vinegar and oil paintings in the post-war period, she found her way to art after a five-day shock. The stewardess Gabi Dillmann, then unmarried, just recently fallen in love and in the middle of life according to the motto “what the world costs”, was in service on the Lufthansa aircraft “Landshut”on October 13,1977. On the flight from Mallorca to Frankfurt the plane was hijacked by an Arab command.

A five-day horror flight through the Middle East began. Sometimes they were allowed to land, sometimes not, sometimes there was kerosene, then again not. A flight of error, which also plunged Germany into fear and terror. The kidnappers demanded the release of eleven imprisoned German and Turkish terrorists under desert threats. The crisis cabinet around Chancellor Helmut Schmidt met day and night, while the 86 passengers gradually sank into their own filth in the blazing heat, trembling with fear of the ever more nervous criminals. The only one who kept calm, despite the constant panic, was 23-year-old Gabriele.

She mediated, supplied, reassured the passengers – until the pilot Jürgen Schumann was shot, immediately next to her and forced by the terrorists before his execution to kneel down. There it was over for a moment with her version. She was unconscious and had to watch the body being thrown out of the cockpit onto the runway. When the GSG 9 suddenly stormed the machine after five days with flash grenades, the drama of the “German Autumn” was far from over.

Some people don’t even know who they are

The next day Baader, Ensslin and Raspe committed suicide in Stammheim, and another day later Hanns-Martin Schleyer was found murdered in the trunk of an Audi 100 in Mülheim, France. Gabi Dillmann became the “Angel of Mogadishu”according to the descriptions of the liberated passengers in Germany. She received the Federal Cross of Merit from Chancellor Schmidt, but then quit her job and withdrew from the public – so much so that there are still acquaintances today who do not know who is hiding behind Gabriele von Lutzau in reality.

Since then, the paths of the two women, who were brought together by Berlin media professional Stephan M. Vogel, have crossed in an abstract sense and with similar motifs: Gabi von Lutzau, née Dillmann, has also begun to work artistically – not on the wildest of her imagination, but only after eleven years of learning with Walther Piesch, professor at the University of Strasbourg. She keeps coming back to him in his courses.

Fate has played a terrible role for the two women, but they can’t break them. Not the German Gabriele von Lutzau, a Jeanne DArc of strength and courage, who loves her material with a helmet and chainsaw to create something delicate. She says:”The power of lightness, love and lust against the power of terror, death and the shackles of the world.” Fate could not break the other one either, the narrow Jewess Rachel Gera, whose smile reminds of Jane Birkin: charming, knowing and a little mysterious.

Until 31 July daily 11 a. m. to 8 p. m. (except Tue), Commerzbank am Pariser Platz

Der Beitrag Berlin morning mail erschien zuerst auf Gabriele von Lutzau.

It should not only be jewellery, but also a watchdog: Gabriele von Lutzau’s “guardian” in the new Idstein clinic. photo: wita/Kühner
From 10.01.2008

It stood at an exposed place in the Idstein Forest – at the crossroads to Schlossborn. Now it is located in a prominent position in the foyer of the newly built Idsteiner Helios Clinic. The hornbeam trunk became an art. The sculptor Gabriele von Lutzau took care of him with a chain saw and flamethrower. A brute tool that can be explained by her life story: in 1977, as flight attendant Gabriele Dillmann, she experienced the kidnapping of the Lufthansa aircraft “Landshut”.

From
Birgitta Lamparth

“She has pretty wild wings – should I tame her?” asked the sculptor from the small village in the Odenwald, her former colleague Ute Samson. “No way: Idstein needs a little bit of wild, feminine stuff,”was the answer of the non-medical practitioner and former Idstein town councillor. She set the “Guardian” project in motion. Gabriele von Lutzau titled her highly towering sculptures, which resemble angels. She was once called “Angel of Mogadishu” by the 86 passengers of the “Landshut”, who were in the hands of terrorists for five days.

This drama, which is currently being filmed and will be released as a TV production on ARD in the spring, was 30 years ago with Nadja Uhl as Gabi Dillmann. Gabi Dillmann has long since become the renowned artist Gabriele von Lutzau. And when Ute Samson was looking for a work of art for the new Idsteiner Klinik and met her works, she rediscovered the former colleague. Through this association, the Idsteiner Krankenhaus support group, which she co-founded, was able to commission a work with the support of Naspa.

Five trunks of hornbeam from the Idsteiner Wald were driven to the artist’s studio in a concerted action with the building yard – the Idsteiner Baum becomes even more “guardians” for other locations. Gabriele von Lutzau used the chain saw to carve out a delicate silhouette of a delicate woman out of a tree with two main branches for the Idstein work. The slender sculpture is crowned by two wings that are spread out in a protective manner and with their notched surface look very much alive. After drying, the work was darkly flamed and provided with an organic varnish.

Since September 11,2001 Gabriele von Lutzau has been working with this technique, in which works are blackened in her own ashes. Former guardians were even gentler in blue. Now the 2.45-metre sculpture will receive an even more stable pedestal so that it will not be subject to fluctuations in the day-to-day events of the later 80-bed clinic. The sculptor herself was taken with the combination of a health centre and a watchman:”There are artists who work with showing fears. I work differently: I want to oppose the fears of freedom and lightness” is a credo of her work. A guardian angel for Idstein – and a very well chosen motive for a hospital.

Der Beitrag Cultural news from your daily newspaper erschien zuerst auf Gabriele von Lutzau.

Her tools are chain saws and flamethrowers, her sculptures are up to three meters tall. The message is always one thing: survival and life. The sculptor works like a mixture of the actresses Bette Midler and Sabine Postel. She bubbles with energy, is warm-hearted, self-ironic and at the same time her art reveals how angry and defiant she can be. She has created an army of “hawks”,”pigeons”,”guardians”. They are all to protect – from the shock waves of the past of Gabriele von Lutzau, née Dillmann, in 1977 stewardess on board the Lufthansa aircraft “Landshut”, hijacked by terrorists.

She was 23 years old when she became a victim of equally young assassins. The four Palestinians left no doubt that during the five-day kidnapping from Palma de Mallorca to Mogadishu they would kill crew and passengers if Chancellor Helmut Schmidt (SPD) were to replace founding members of the Red Army Faction (RAF) who were not detained in Germany. To prove this ruthlessness, the leader shot Jürgen Schumann, the captain of the flight.

The death penalty stood on tears.

The young stewardess became a person of contemporary history thanks to her courage in this “German Autumn” 30 years ago: she comforted desperate passengers, translated the instructions of the terrorists, called on the Federal Government in a dramatic personal appeal via radio to rescue the hostages and cried for Schumann, despite the fact that his murderer had imposed the death penalty in tears. Today she says,”I’ve lived a gifted life ever since.” A “plump life,”she emphasizes. She enjoys it every day anew. With her sculpture, she shoulders, as she calls it, her “battle baggage” – a burden charged in five days between life and death.

One thing she never wants to be again: victim. There are “ex- offenders”if they have served their sentence or renounced terror. But there are no “ex-victims”. “The victims are dead or will remain in the role that the perpetrators have forced upon them their whole lives.” Von Lutzau defends himself:”I was a victim, I am no longer one. I’m happy and there’s a happy ending for me.”

The injured stewardess and co-pilot Vietor at Frankfurt Airport.

The inner wounds remain.

But despite all the joy of life she radiates, inner wounds cannot be overlooked. In her exhibition rooms in Frankfurt am Main, for example, there is an angelic figure with a hole in her chest, but upright wings. A hawk frees itself and the dove of peace turns out to be a warrior. With the chain saw processed by Lutzau Thuja bushes, shaped from roots body and from branches legs and blackened them with the flamethrower. If things go badly, she chops up the tree of life.

And why birds again and again? They are a symbol of freedom and departure. And:”We had the whole cargo hold full of exotic birds. They perished miserably in the heat without water.” The 53-year-old says,”Keep the scars on your soul.” She will never forget “how men drank their wives the last sip of water”. And,”When a man gets shot next to me, it’s beyond my bounds.”

Inhumanity cannot be forgiven.

After an interview in which she described the course of events in detail, she became ill. “I thought it broke my heart.” She hasn’t spoken to anyone about the horrors for a long time. Neither with her husband Rüdeger von Lutzau, who at that time had flown the German anti-terrorist troop GSG 9 and Minister of State Hans-Jürgen Wischnewski to Mogadishu as co-pilot. With friends she’s never told of it before. “I didn’t mean to incriminate her. And anonymity is something very pleasant.” There is also no reference to their history in any catalogue for their exhibitions from New York to France and from Shanghai to Switzerland.

Andrawes was the only one who survived the terrorists.

The fact that Souhaila Andrawes, the only one of the hijackers who survived the GSG 9 storm, asked the court for forgiveness for her little daughter and was only a few years in custody has little to do with justice for von Lutzau. “She herself would have made her announcement without flinching and shot the three-year-old boy on the plane.” Can she forgive? “No. I don’t forgive this inhumanity. Why should such merciless people be pardoned?”

Her role model in politics is the man of all people, who did indeed save her life with the GSG 9, but never released any RAF terrorists: Helmut Schmidt. “He’s straightforward,”says von Lutzau. He had made a mistake when he had the abducted CDU politician Peter Lorenz replaced for prisoners in 1975. “Lorenz survived. Many others have been killed.”

From Kristina Dunz, dpa

Der Beitrag DPA erschien zuerst auf Gabriele von Lutzau.

A “guard” by Gabriele von Lutzau. A similar sculpture will be placed in the foyer of the new Idstein Health Centre. photo: private

From 22.09.2007

Your material: wood. Your tools: chain saw and flame thrower. The sculptor Gabriele von Lutzau will create a sculpture for the newly built Idstein Helios Clinic. Her maiden name was Gabi Dillmann. And she was a flight attendant on the “Landshut”.

From
Birgitta Lamparth

It’s already the voice. When she says things like “My motto is: Help yourself, then God will help you” or “I won’t let these people restrict me”. Then it becomes clear that there is one who has already experienced a lot. And survived – with courage that is rarely found.

For “these people”, to whom Gabriele von Lutzau was at the mercy of, were terrorists. For five days in October 1977, they kept the world on fire and caught the passengers of the Lufthansa aircraft “Landshut”, 86 mostly German tourists and five crew members. Including Gabriele Dillmann. The passengers named them “Angels of Mogadishu” because they found support and hope in the then 23-year-old flight attendant.

And angels are also like the central figures she creates in her new, second life as a sculptor. “The bearer of the Federal Cross of Merit calls the towering wooden sculptures, one of which is to be placed in the Idstein Health Centre. Is this a subject that stems from the drama of 30 years ago? “I’m sure it’s connected to the experience,”she says. How much of what happened afterwards in her life. And led to art.

After Mogadishu, she no longer pursued her profession. Although she was “not Eva Herrmann”, she wanted to stay home after the birth of a child. And then there was this pottery class. “I never made a pot, but a woman right away,”she recalls. You often meet this I-do-what-you-do-my-ways when you talk to Gabriele von Lutzau.

Although she grew up in a family in which “art was perceived as completely useless”, she was “immediately banged”when she was taken to an exhibition by colleagues during her time as a flight attendant. And also, when she later studied art in Strasbourg at the beginning of the 1980s, it quickly became clear “that I would be bored if I were a watercolourist. Instead, she becomes a sculptor. And finds in large, massive materials and brute tools the prerequisites for astonishingly filigree, impressive works.

A serious car accident smashed her wrist. The doctors say:”Sculpture is no longer possible. And experience the inner strength of a woman who 30 years ago had to watch her captain being shot dead. And even under threat of their own lives, he turned away from the air pirates “so angrily glittered”that he turned away from them.

That such a woman cannot be said to be “not going” is beyond question. So she’s changing her technique, working with a 35-electric sword today. “The sculptor, who can’t work in her studio in the Odenwald village until after 3 p. m., laughs very effectively, as if out of the hip like John Wayne,” otherwise it makes too much noise. The way she gets to grips with her material already has “something to do with taming, with winning”. This depends on their character, and possibly also on what they experience.

This is how the tree that is still standing in the Idsteiner Wald is tamed. Perhaps he already has a bow around his neck – that’s how Ute Samson identifies suitable oak and beech trees. The former Idstein city council not only founded the “Förderkreis”, which has now led to the construction of the health centre. She has also made contact with Gabriele von Lutzau. By a coincidence that is not one: Ute Samson, who today works as a non-medical practitioner, was also a stewardess in the 70s, knew Gabi Dillmann well. “I flew on the Landshut afterwards, too,”she says. The colleagues lost track of each other.

And 30 years later, in her search for an artist who would be suitable for work at the Helios Clinic, she encounters the works of Gabriele von Lutzau. Her guardians convinced her from the very beginning:”They have something connected to earth and an opening at the same time. I think it’s very nice for a hospital where people will be cured.” Now she looks around for trees that have formed a clash – two main branches of the same shape – which must not be too thin. On November 1st Gabriele von Lutzau picks up the selected tree.

The sculptor was also impressed by the combination of a health centre and a guard. “There are artists who work to show fears. I work differently: I want to counter the fears of freedom and lightness.” Until September 11,2001, the guardians shone in a conciliatory, gentle blue. “Then it was over with fun,”says Gabriele von Lutzau. And he only created works that were blackened in his own ash and fixed with bio-resin varnish.

And when the documentary about the Landshut kidnapping was broadcast on TV, it was clear to her:”Today I have to saw.” The healing that emanates from the Guardians has remained with all the reaction to the horrors that life can hold ready. Gabriele von Lutzau himself:”Making guards is good for me.” She communicates with the material. And with himself. “You have to learn to listen to yourself,”she says. And find your own voice.

Der Beitrag Wiesbadener Tageblatt erschien zuerst auf Gabriele von Lutzau.